Jonathan Guyer: Art, Mass Media, and Satire

Jonathan Guyer: Art, Mass Media, and Satire

From Cairo, Jonathan will focus on examining connections between cultural currents and political change across the region. He has been living and working in Egypt since 2012, where he is a contributing editor of the Cairo Review of Global Affairs, a policy journal published by the American University in Cairo. From 2012 to 2013, he was a Fulbright fellow researching political cartoons in Egypt. He previously served as a program associate for the New America Foundation’s Middle East Task Force in Washington, DC, and as assistant editor of Foreign Policy’s Middle East Channel. A frequent analyst on Public Radio International, he has contributed to Guernica, Harper’s, Modern Painters, The New York Review Daily, The New Yorker, The Paris Review Daily, New York Magazine, Nieman Reports, and others. His research on Egyptian satire has been cited by the Associated Press, CNN, The Economist, The Nation, New Statesman, Reuters, and TIME, as well a variety of international news outlets. A cartoonist himself, he blogs about Arabic comics and caricature at oumcartoon.tumblr.com.

  • Jonathan Guyer Published in Rolling Stone

    Jonathan Guyer Published in Rolling Stone

    • Jonathan Guyer
    • February 28, 2017
    Drawing on research from his ICWA Fellowship, Fellow Jonathan Guyer’s current feature in Rolling Stone explains how a young Egyptian writer ended up on the wrong side of the law. “Inside the Strange Saga of a Cairo Novelist Imprisoned for Obscenity” investigates the case of Ahmed Naji, a thirty-year-old writer whose struggle reveals the state of culture, law ...
  • At the Cairo Book Fair

    At the Cairo Book Fair

    • Jonathan Guyer
    • February 14, 2017
    “Cairo writes, Beirut publishes, and Baghdad reads,” goes the adage. At the Cairo International Book Fair, where hundreds of publishers and thousands of readers gather each winter, everybody writes, publishes, and reads. While the sclerotic institutions of state-funded culture remain conservative forces with an outsized role in Egyptian letters, independent publishers continue to push the limits ...
  • At Last, Alexandria

    At Last, Alexandria

    • Jonathan Guyer
    • January 18, 2017
    One “is either a Cairo person—Arab, Islamic, serious, international, intellectual—or an Alexandria amateur—Levantine, cosmopolitan, devious, and capricious,” the scholar Edward Said once wrote. I must be both. Over the past decade, I have had a love affair with Alexandria. Exit from the train station, and pop into a little toy taxi, a Russian-made Lada, that bounces ...
  • Jonathan Guyer in the Media

    Jonathan Guyer in the Media

    • Jonathan Guyer
    • January 15, 2017
    In the January issue of Le Monde Diplomatique, Fellow Jonathan Guyer examines the connections between fine and comic art in Egypt and the wider Middle East. “On the Arab Page” “That comics are often dismissed as childish gives contemporary artists more space to address politically disruptive topics,” he writes. The richly illustrated essay elaborates on ...
  • A Bright Spot in an Otherwise Darkened Egypt

    A Bright Spot in an Otherwise Darkened Egypt

    • Jonathan Guyer
    • December 21, 2016
    In The Art Newspaper, Fellow Jonathan Guyer reviews Egyptian artist Mohamed Abla’s new show “On the Silk Road.” The 60 mixed-media works are inspired by fairy tales and mythology, and exhibited at the ministry of culture’s premier space. In his review, Guyer situates Abla’s practice within the broader politics of art in Egypt today. Abla has ...